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American blues and rock band

Canned Heat
Performing on September 7, 1979, at the Woodstock Reunion 1979, Parr Meadows, Ridge, New York

Performing on September 7, 1979, at the Woodstock Reunion 1979, Parr Meadows, Ridge, New York
Background information
Origin Los Angeles, California, U.S.
Genres
  • Blues
  • dejection rock
  • boogie rock
Years active 1965–present
Labels
  • Freedom
  • Ruf
  • United Artists
  • Rhinoceros
Associated acts
  • John Mayall & the Bluesbreakers
  • John Lee Hooker
Website cannedheatmusic.com
Members
  • Adolfo "Fito" de la Parra
  • Dale Spalding
  • John Paulus
  • Rick Reed
Past members See List of Canned Heat band members

Canned Heat is an American blues and rock band that was formed in Los Angeles in 1965. The grouping has been noted for its efforts to promote involvement in blues music and its original artists. Information technology was launched by two dejection enthusiasts Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 "Canned Rut Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat", from the original 1914 product name Sterno Canned Heat.[ane] After appearances at the Monterey and Woodstock festivals at the finish of the 1960s, the band acquired worldwide fame with a lineup consisting of Hite (vocals), Wilson (guitar, harmonica and vocals), Henry Vestine and later Harvey Mandel (lead guitar), Larry Taylor (bass), and Adolfo de la Parra (drums).

The music and mental attitude of Canned Heat attracted a large following and established the ring as i of the popular acts of the hippie era. Canned Oestrus appeared at most major musical events at the end of the 1960s, performing blues standards forth with their own material and occasionally indulging in lengthy 'psychedelic' solos. Ii of their songs — "Going Up the Country" and "On the Road Once again" — became international hits. "Going Up the Country" was a remake of the Henry Thomas vocal "Bull Doze Blues", recorded in Louisville, Kentucky, in 1927. "On the Road Once more" was a remake of the 1953 Floyd Jones vocal of the same name, which is reportedly based on the Tommy Johnson song "Large Route Dejection", recorded in 1928.

Since the early 1970s, numerous personnel changes have occurred. For much of the 1990s and 2000s and following Larry Taylor'south expiry in 2019,[two] de la Parra has been the only member from the ring's 1960s lineup. He wrote a book almost the ring'due south career, titled Living the Blues.[3] Mandel, Walter Trout and Junior Watson are among the guitarists who gained fame for playing in later on editions of the band.

History [edit]

Origins and early lineups [edit]

Canned Heat was started inside the community of blues collectors. Bob Hite had been trading blues records since his early teens, and his house in wealthy Topanga Canyon was a meeting identify for people interested in music. In 1965 some blues devotees there decided to form a jug band and started rehearsals. The initial configuration comprised Hite equally vocalist, Alan Wilson on bottleneck guitar, Mike Perlowin on atomic number 82 guitar, Stu Brotman on bass and Keith Sawyer on drums. Perlowin and Sawyer dropped out inside a few days, so guitarist Kenny Edwards (a friend of Wilson's) stepped in to supervene upon Perlowin, and Ron Holmes agreed to sit in on drums until they could observe a permanent drummer.

Some other of Hite'due south friends, Henry Vestine (who had been expelled from Frank Zappa's Mothers of Invention for smoking pot),[four] asked if he could join the band and was accepted, while Edwards was kept on temporarily. Shortly Edwards departed (he went on to form the Rock Poneys with Bobby Kimmel and Linda Ronstadt), and at the aforementioned time Frank Cook came in to replace Holmes as their permanent drummer. Melt already had substantial professional experience, having performed with such jazz luminaries equally bassist Charlie Haden, trumpeter Chet Baker, and pianist Elmo Hope, and had also collaborated with black soul/pop artists such every bit Shirley Ellis and Dobie Gray.

Producer Johnny Otis recorded the ring'southward get-go (unreleased) album in 1966 with the ensemble of Hite, Wilson, Cook, Vestine, and Brotman; only the tape was not really released until 1970 when it appeared as Vintage Heat, released by Janus Records. Otis ran the lath for a dozen tracks, including two versions of "Rollin' and Tumblin'" (with and without harmonica), "Spoonful" by Willie Dixon, and "Louise" by John Lee Hooker all from his studio off of Vine Street in Los Angeles. Over a summertime hiatus in 1966 Stuart Brotman finer left Canned Heat subsequently he had signed a contract for a long appointment in Fresno with an Armenian abdomen-trip the light fantastic revue. Canned Heat had contacted Brotman, touting a recording contract which had to exist signed the next day, merely Brotman was unable to brand the signing on short notice. Brotman would continue to join the world-music ring Kaleidoscope with David Lindley, replacing Chris Darrow. Replacing Brotman in Canned Heat was Mark Andes, who lasted just a couple of months before he returned to his former colleagues in the Red Roosters, who adopted the new name Spirits Rebellious, later shortened to Spirit.

Subsequently joining up with managers Skip Taylor and John Hartmann, Canned Estrus finally constitute a permanent bassist in Larry Taylor, who joined in March 1967. He was a former member of The Moondogs and the brother of Ventures' drummer, Mel Taylor, and already had feel backing Jerry Lee Lewis and Chuck Drupe in concert, and recording studio sessions for The Monkees.[5]

In this format (Hite, Wilson, Vestine, Taylor, Cook) the band started recording in April 1967 for Liberty Records with Calvin Carter, who had been the caput of A&R for Vee-Jay Records and had recorded such bluesmen as Jimmy Reed, John Lee Hooker.[6] They recorded "Rollin' and Tumblin'", backed with "Bullfrog Blues", and this became Canned Heat's first single. The first official anthology, Canned Estrus, was released three months later in July 1967. All tracks were re-workings of older blues songs. The Los Angeles Complimentary Printing reported: "This group has it! They should exercise very well, both live and with their recordings." Canned Heat fared reasonably well commercially, reaching #76 on the Billboard chart.

Rise to fame and germination of the classic lineup [edit]

The kickoff big alive appearance of Canned Heat was at the Monterey Pop Festival on June 17, 1967. A picture of the band taken at the performance was featured on the embrace of Down Beat where an article complimented their playing: "Technically, Vestine and Wilson are quite mayhap the best two-guitar team in the globe and Wilson has certainly become our finest white blues harmonica man. Together with powerhouse singer Bob Hite, they performed the country and Chicago blues idiom of the 1950s so skillfully and naturally that the question of which race the music belongs to becomes totally irrelevant."[7] D.A. Pennebaker'southward documentary captured their rendition of "Rollin and Tumblin" and ii other songs from the fix, "Bullfrog Blues" and "Grit My Broom", establish a identify later in a boxed CD set in 1992. Canned Heat is also included on an anthology chosen Early LA.

Canned Heat also began to garner their notoriety equally "the bad boys of rock" for being jailed in Denver, Colorado after a police informant provided enough testify for their arrest for drugs (an incident recalled in their song "My Law-breaking"). Band managing director Skip Taylor was forced to obtain the $10,000 bail by selling off Canned Oestrus'south publishing rights to Freedom Records president Al Bennett.[eight]

1970 photo of the classic Canned Heat lineup.

Afterward the Denver incident, Frank Cook was replaced with de la Parra, who had been playing the drums in Bluesberry Jam (the band which evolved into Pacific Gas & Electric). As an official member of Canned Heat, de la Parra played his first gig on December 1, 1967, sharing summit billing with the Doors at the Long Beach Auditorium.[nine] This began what de la Parra refers to as the classic and perhaps best known Canned Rut lineup, which recorded some of the band'south nigh famous and well-regarded songs. During this "classic" period, Skip Taylor and John Hartmann introduced the utilize of band member nicknames:

  • Bob "The Conduct" Hite
  • Alan "Bullheaded Owl" Wilson
  • Henry "Sunflower" Vestine (and later Harvey "The Snake" Mandel)
  • Larry "The Mole" Taylor
  • Adolfo "Fito" de la Parra

Their 2d released anthology, Boogie with Canned Heat, included "On the Road Over again", an updated version of a 1950s composition by Floyd Jones. "On the Road Again" became the band's break-out song and was a worldwide success, becoming a number one hit in well-nigh markets and finally put a blues song on the acme charts.[ten] The album as well included a twelve-minute version of "Fried Hockey Boogie", (credited to Larry Taylor, merely rather obviously derived from John Lee Hooker'due south "Boogie Chillen" riff) allowed each fellow member to stretch out on his instrument while establishing them with hippie ballroom audiences beyond America equally the "kings of the boogie". Hite'due south "Amphetamine Annie" (a "speed kills" tune inspired by the drug corruption of an acquaintance and reminiscent of Albert King's "The Hunter"), became one of their most enduring songs and one of the beginning "anti-drug" songs of the decade. Although not featured on the anthology'southward artwork, this was the first Canned Oestrus album to have featured drummer de la Parra.

With this success Taylor, Hartmann and new associate Gary Essert leased a Hollywood society they named the Kaleidoscope on Sunset Boulevard east of Vine in which Canned Estrus essentially became the firm band; hosting others such equally Jefferson Plane, Grateful Expressionless, Buffalo Springfield and Sly and the Family Stone.[11] Besides in 1968, after playing before 80,000 at the beginning annual Newport Popular Festival in September, Canned Oestrus left for their first European tour. Information technology entailed a month of concert performances and media engagements that included telly appearances on the British prove Top of the Pops. They too appeared on the German language program Trounce Club, where they lip-synched "On the Road Over again" as it rose to number one in both countries and in practically all of Europe.[12]

"Going Up the Country" and Woodstock [edit]

In October the band released their third anthology, Living the Blues, which included "Going Up the Country", their best-known song. Wilson's incarnation of Henry Thomas' "Bull-Doze Dejection" was almost a notation-for-note copy of the original, including Thomas' instrumental intermission on the "quills" (pan-pipes) which Jim Horn duplicated on flute. Wilson rewrote the lyrics with a unproblematic message that caught the "back-to-nature" attitude of the tardily 1960s. The song was a hit in numerous countries around the world (#11 on the U.Southward. national chart) and would keep to become the unofficial theme song of the Woodstock Festival as captured in Michael Wadleigh's 1970 documentary. The album also included a 19-minute experimental track "Parthenogenesis", which was a ix-part sound collage of dejection, ragas, jaw-harp sounds, guitar distortion and other electronic effects; all pulled together nether the direction of manager/producer, Skip Taylor. Longer withal is "Refried Boogie", clocking in at over 40 minutes, recorded live at the Kaleidoscope.

Also recorded live at the Kaleidoscope around this time was the anthology which would find later 1971 release with the deceptive championship, Live At Topanga Corral (subsequently renamed Live at the Kaleidoscope), under Wand Records considering Liberty Records did not desire to release a alive album at the time and manager Skip Taylor did not want a lawsuit.[13] The band would end 1968 in a large manner at a New Year's show at the Shrine Auditorium, in Los Angeles, with Bob Hite riding a painted purple dayglo elephant to the stage.[14]

In July 1969, just prior to Woodstock, Hallelujah, their fourth album was released. The Tune Maker wrote: "While less ambitious than some of their work, this is withal an excellent blues-based album and they remain the almost convincing of the white electric blues groups." The anthology contained mainly original compositions with lyrics relating to the band such every bit Wilson's "Time Was" and a few re-worked covers like "Sic 'em Pigs" (Bukka White's "Sic 'em Dogs") and the original "Canned Heat" past Tommy Johnson.

Within days of the album'southward release, Vestine left the group subsequently an on-stage blow upward at the Fillmore West between himself and Larry Taylor. The adjacent nighttime after Mike Bloomfield and Harvey Mandel jammed with Canned Heat, both were offered Vestine's spot in the band's line-up and Mandel accepted.[15] The new lineup played two dates at the Fillmore before appearing at Woodstock in mid-August.

Arriving via helicopter at Woodstock, Canned Heat played their most famous set on the second twenty-four hours of the festival at sunset. The ready included "Going Up the Country" which became the championship track in the documentary, fifty-fifty though the band'south performance was not shown. The song was included in the get-go (triple) Woodstock album; while the 2d album, Woodstock 2, contained "Woodstock Boogie". The expanded 25th Anniversary Collection added "Leaving This Town" to the band'southward drove of Woodstock performances and "A Alter Is Gonna Come" was included on the manager'southward cut of the documentary moving-picture show; leaving only "Let's Work Together" to be released.[16]


Earlier their European tour in early on 1970, the band recorded Future Blues, an anthology containing v original compositions and iii covers. "Let'south Piece of work Together", a Wilbert Harrison song, was the single chosen for release in Europe to coincide with the tour. At the ring's insistence the U.S. release was delayed in social club to offer the author's version a gamble in the market first.[17] Canned Heat had a large hit with "Allow's Work Together" and was the band'southward only tiptop ten striking to feature the vocals of Bob "The Bear" Hite. The album featured piano by Dr. John and an atypical jump blues style also. Some controversy was sparked by the moon landing/Iwo Jima album cover and the upside downwardly American flag. The upside-down flag was Wilson's idea and was a response to his love of nature, growing environmentalism and concern that humankind would soon be polluting the moon likewise as the Globe (as reflected in his song "Poor Moon").[18]

Material from their 1970 European tour provided the tracks for, Canned Heat '70 Concert Live in Europe, later on retitled Live in Europe. It was a live album that combined tracks from different shows throughout the bout, merely was put together in such a mode equally to resemble i continuous concert for the listener. Although the album garnered some critical acclamation and did well in the UK (peaking at #fifteen), it had only limited commercial success in the U.S.; Returning from Europe in May 1970, an exhausted Larry Taylor left the ring to join John Mayall (who had moved to Laurel Canyon, California) and was followed by Mandel.

Hooker 'n Heat and the decease of Wilson [edit]

With Taylor and Mandel gone, Vestine returned on guitar, accompanied by bassist Antonio de la Barreda who had played with de la Parra for five years in United mexican states City and was previously a member of the groups Jerome and Sam & the Goodtimers.

This lineup went into the studio to record with John Lee Hooker the tracks that would yield the double album, Hooker 'n Heat. The band had originally met Hooker at the airport in Portland, Oregon, and discovered they were fans of each other's work. Hooker and Canned Heat became proficient friends and Hooker had stated that Wilson was "the greatest harmonica player always".[nineteen] The planned format for the sessions called for Hooker to perform a few songs by himself, followed past some duets with Wilson playing pianoforte or guitar. The residual of the album featured Hooker with some backing by the group (sans Bob Hite, who co-produced the album along with Skip Taylor). The album was finished afterwards Wilson's passing and became the beginning album in Hooker's career to make the charts, topping out at #73 in February 1971. Hooker 'north Heat would unite once more in 1978 and tape a live album at the Fox Venice Theatre in Los Angeles, released in 1981 as, Hooker 'n Heat, Live at the Fox Venice Theatre, under Rhino Records. Also in 1989, Canned Rut (and many others) guested on John Lee Hooker's album The Healer.

Shortly after the original Hooker 'n Oestrus sessions, Wilson, who had e'er suffered from depression, was said by some to have attempted suicide by driving his van off the road near Hite's home in Topanga Canyon. Dissimilar other members of the band, Wilson did not have much success with women and was securely upset and frustrated by this. His low also worsened over fourth dimension.[20] On September iii, 1970, merely before leaving for a festival in Berlin, the band learned of Wilson's death by barbiturate overdose; his body was found on a hillside behind Hite'due south abode. De la Parra and other members of the band believed that his death was a suicide. Wilson died at the historic period of 27, just weeks before Jimi Hendrix, so Janis Joplin, died at the same historic period.[21]

Historical Figures, New Historic period and Human Status line-ups [edit]

Joel Scott Hill, who had played with the Strangers and the Joel Scott Hill Trio, was recruited to fill the void left by Wilson'south expiry. The band nevertheless had a touring contract for September, equally well as upcoming studio dates. That fall they toured Commonwealth of australia and Europe; including a show played in Baarn, Netherlands, for the VPRO television program Piknik and the following summer they appeared at the Turku Festival in Finland. These performances were recorded, only the recordings were non released until much afterwards, with the albums Live at Turku Rock Festival in 1995 and Nether the Dutch Skies 1970–74 in 2007 (which encompassed three dissever tours). At the terminate of 1971 a new studio album, Historical Figures and Ancient Heads, was released. The album included Hite's vocal duet with Lilliputian Richard on "Rockin' with the King", written by Skip Taylor and featuring the guitar playing of both Vestine and Joel Scott Hill.

This lineup of Hite, Vestine, Scott Hill, de la Barreda and de la Parra did not last, as the band was in disarray; Scott Hill and de la Barreda's attitudes were non fitting in with the rest of the band, and drummer de la Parra decided to call it quits. He was talked out of information technology by Hite, and it was Scott Hill and de la Barreda who left the band instead.[22]

New additions to the group were James Shane on rhythm guitar and vocals, Ed Beyer on keyboards, and Richard Hite (Bob Hite's brother) on bass. This lineup recorded what was the ring's terminal anthology for Freedom/United Artists Records, The New Historic period, released in 1973. This album featured the pop biker-themed anthem "The Harley-Davidson Dejection", written past James Shane. The era of the late 1960s was changing, just nevertheless the band embarked on some other European tour, during which they recorded a session with Memphis Slim in Paris, France for the album Memphis Heat. They too recorded with Clarence "Gatemouth" Brown, while still in Paris, for the anthology Gates on the Heat (both were released by Blue Star Records).[23] Footage from this era tin can be seen on the DVD Canned Heat Live at Montreux, released in 2004.

Met with hard times, de la Parra writes that the band resorted to importing drugs from Mexico to brand ends come across between shows.[24] Over $thirty,000 in debt, director Skip Taylor advised the band to sign away their future royalties to their previous Liberty/United Artists material and jump to Atlantic Records. After a bad introduction to Atlantic Records, which included a brawl between Hite and Vestine over a vending auto, the band released the album One More River to Cantankerous in 1973. Produced by Roger Hawkins and Barry Beckett, this album had a unlike sound and featured the Muscle Shoals Horns.[25]

On a subsequent promotional tour of Europe, this new "horn band" sound included the talents of Clifford Solomon and Jock Ellis. Absent from Canned Oestrus at this time, subsequently growing always more distant, was longtime manager Skip Taylor, who had left after the band joined Atlantic.[26] Atlantic producer Tom Dowd tried to get one more album out of Canned Heat, despite their drug use and heavy drinking; they ultimately recorded an album's worth of material at Criteria Studios in Miami, Florida during 1974 (featuring some collaboration with former member Mandel), but Atlantic ended its relationship with Canned Heat before information technology could be released. The masters for the bulk of the material, which had been kept at Skip Taylor'due south firm, were destroyed in a fire, and what material was rescued by de la Parra was finally restored and issued decades later, in 1997, titled The Ties That Bind.[27] [28]

Presently thereafter, new manager Howard Wolf prepare up the struggling ring with a gig at California's Mammoth Ski Resort. Bob Hite, in a foul rage, went off on the crowd, to the disapproval of Vestine, James Shane and Ed Beyer, who quit the band as a upshot.[29]

Taking the identify of those who departed were pianist Gene Taylor and guitarist Chris Morgan, who both joined in late 1974. Taylor departed in 1976 in response to an argument during a tour of Germany, and after a brief fill up-in by Stan Webb (of Chicken Shack), Marking Skyer came in as the new guitar player. In the meantime the band had worked out a deal with Takoma Records, and this "Human Condition/Takoma" lineup recorded the 1977 album Human Condition. Despite the appearance of the Chambers Brothers on the anthology, it was met with very piddling success, largely considering of the growing popularity of disco music in the tardily 70s.[27] Earlier long, more arguments ensued, and Mark Skyer, Chris Morgan and Richard Hite all quit the band in 1977. The Bear promptly hired a new bass player, Richard Exley, after befriending him on tour and watching his performance with the band Montana. Condign fast friends with Hite, Exley toured the remainder of the year with the band and collaborated with Hite on many of the arrangements during their 1976 Texas Bicentennial Improvement Bout. Exley then quit the band after an argument over Hite's excessive drinking and drug utilise on phase. Frustrated and fed up, Exley joined the Texas Heartbreakers at the finish of that year but returned periodically to fill in every bit a favor to Hite while the band struggled to discover permanent members amidst heavy drinking and drug use. Exley remarked near his fourth dimension with the band, "No i ever remembers the bass thespian ...". This effectively reduced the band'south members to just Hite and de la Parra.[30]

Burger Brothers revival and the death of Bob Hite [edit]

The popularity of the blues genre rose in the late 1970s and early 1980s with the release of the musical-comedy film The Blues Brothers (1980), starring Dan Aykroyd and John Belushi. During this fourth dimension, de la Parra had bought into the partnership of an Due east Hollywood recording studio at which he was over again working with erstwhile bandmate Larry "The Mole" Taylor. Taylor had been associating with virtuoso guitar player Mike "Hollywood Fats" Mann and virtuoso piano actor Ronnie Barron and before long Taylor, Barron and Hollywood Fats were in the ring. This version referred to by Hite and Isle of mann as the "Burger Brothers" lineup, was before long joined by blind piano actor Jay Spell, as Ronnie Barron walked out on the band after a blow-up between himself and Taylor.[31]

The Burger Brothers played the tenth anniversary of Woodstock at Parr Meadows in 1979. A recording of the operation somewhen surfaced through King Biscuit Flower 60 minutes's Barry Ehrmann as, Canned Heat In Concert, in 1995 (de la Parra considers this to be Canned Estrus's best recorded live anthology).[32] Another recording made effectually this time was for Cream Records, who desired a more R&B-style audio than what Canned Heat was currently offering. This upset Hollywood Fats and Mike Halby was brought in to finish the project; which would not find commercial release until 1981 when one-time band member Tony de la Barreda put information technology out under RCA as a tribute album chosen, In Retention Of Bob "The Bear" Hite 1943-1981—"Don't Forget To Boogie". Later a falling out with de la Parra and Hite, Taylor and Isle of mann were increasingly unhappy with the musical direction of the band and eventually left to focus more attention on their Hollywood Fats Band. Nevertheless, Jay Spell was nevertheless on board and brought in bass player Jon Lamb; Mike Halby was now a full-time member and long-fourth dimension guitarist Vestine once once again made his return to the band, with The Bear and de la Parra as its leaders.[33]

No longer managed by Howard Wolf, Eddie Haddad gear up the band up touring military bases across the U.S., Europe and Japan non-cease. Returning with lilliputian pay after the difficult bout, Jay Spell quit the ring. Jon Lamb stayed on for ane more bout in the south and only before Christmas 1980 (and defective the outlaw roots of the others), he as well quit the band; simply by then fifty-fifty The Behave was starting to lose it. He had attempted to requite it some other effort past hiring a big enthusiastic biker with the moniker "The Push" every bit their managing director; hoping that the band's popularity with the biker community would give them renewed energy.[34] With new bass player Ernie Rodriguez joining the ranks, Canned Rut recorded the 1981 album, Kings of the Boogie, the concluding album to feature Hite on a few of the tracks.

On Apr v, 1981, having collapsed from a heroin overdose during a testify at the Palomino in Los Angeles, Bob Hite was subsequently found dead in de la Parra's Mar Vista domicile at the age of 38.[35]

Later on history and the death of Vestine [edit]

The death of frontman Bob "The Bear" Hite was a devastating accident that most thought would finish the career of Canned Heat; nevertheless de la Parra kept the band alive and would lead it back into prosperity over the adjacent few decades. An Australian tour had been set up before The Bear's expiry and harmonica player Rick Kellogg had joined to terminate off the Kings of the Boogie album. This incarnation of Canned Heat without Bob Hite was nicknamed the "Rima oris Band" past Vestine and was a huge hit in Australia, particularly with the biker crowd.[36] Under the management of "The Push", the band toured usa playing biker confined and began piece of work on a video known equally "The Boogie Assault", starring Canned Heat and various members of the San Francisco chapter of the Hells Angels.

Equally production for "The Push's" video dragged on, a drunken Vestine got into a brawl with Ernie Rodriguez and was over again out of the band; this time replaced by guitarist Walter Trout.[37] Later on a tour with John Mayall, as the product for "The Boogie Assault" continued, de la Parra was forced to fire "The Push" as the band's manager; simply did eventually stop the video and a live lbum of the aforementioned name recorded in Australia in 1982 (likewise re-released equally Live In Commonwealth of australia and Live In Oz). This version of Canned Heat would also soon dissolve with a dispute between Mike Halby and de la Parra after the recording of the Estrus Brothers '84 EP.

During the 1980s the interest in the type of music played by Canned Heat was revived and, despite the past tragedies and permanent instability, the band appeared to be revitalized. In 1985, Trout had left to join John Mayall'south Bluesbreakers, and so Vestine was once once again back in the band and he brought with him new musical talent from Oregon in James Thornbury (slide guitar and lead vocals) and Skip Jones (bass). They were dubbed the "Nuts and Berries" ring by de la Parra, due to their love of organic nutrient. It was non long earlier former members Larry Taylor (replacing Jones) and Ronnie Barron returned to round out the grouping. Versions of this lineup would tape the live album, Boogie Up The State, in Kassel, Germany, in 1987 and besides appear on the Dejection Festival Live in Bonn '87 Vol ii compilation. Barron, just as earlier did not last long in this lineup, nor did Vestine, who was once more ousted from the band due to pressure from Larry Taylor. Replacing Vestine on pb guitar was Junior Watson; his style emulated Hollywood Fats (who died in late 1986) and was perfectly suited for the ring every bit witnessed by the well-regarded album, Reheated. Unfortunately, the album was released only in Frg in 1988 due to disagreements with the Chameleon Music Group Record label.[38] In 1990, the "Would-Be" lineup of James T, Taylor, Watson and de la Parra also recorded a sequel live album in Australia entitled Burnin' Live.

The lineup dissolved in the early 1990s as Junior Watson went his own way and Mandel came back into the fold, bringing along Ron Shumake on bass to take some of the load off of Larry Taylor. Mandel, however, left the ring after a few tours, and so female vocalist and guitarist Becky Barksdale was brought in for a tour of France, Frg and Hawaii; only lasted no longer. Smokey Hormel was also considered, just just played ane gig before friction between de la Parra and Larry Taylor caused Taylor to bitterly get his dissever style with Hormel in tow.[39]

The revolving door that was Canned Heat continued as Vestine and Watson made their returns to the lineup every bit the "Heavy Artillery" band. Several former members including Mandel, Barron and Taylor joined upwards in de la Parra's effort for the album, Internal Combustion, which was released in 1994, but saw only limited release due to the returning manager Skip Taylor's falling out with Red River Records. In 1995, James Thornbury left the ring with no hard feelings afterwards ten years of service to live the married life in New Southward Wales, Australia and new front-man Robert Lucas came in to take his place. Mandel returned and Shumake left the band in 1996, and after the position of bassist was taken temporarily by Marker "Pocket" Goldberg,[forty] Greg Kage took the reins as the bass player, and after a reconciliation with Larry Taylor the ring released, Canned Rut Blues Band, in 1996. On October xx, 1997, a tired and cancer stricken Vestine died in Paris, French republic post-obit the last gig of a European tour.[41] Taylor and Watson subsequently left the band.

Canned Heat in the 2000s and 2010s [edit]

Canned Heat's popularity has endured in some European countries and Australia. In Belgium they take a particularly devoted following thanks in great function to Walter de Paduwa, a.k.a. Dr. Boogie, considered by the ring equally their "official historian".[42] He has assisted de la Parra in compiling and producing, The Boogie House Tapes Vol. 1 in 2000, The Boogie Business firm Tapes Vol. 2 in 2004, and Dr. Boogie Presents Rarities from the Bob Hite Vaults in 2008; all collected from unreleased and rare Canned Rut recordings. Dr. Boogie'south weekly Sunday evening radio show on Radio Classic 21,[43] has for over a decade invariably started with a Canned Estrus song.

Canned Rut'southward recent studio albums include Boogie 2000 (1999), and Friends In The Can (2003), which features various guests, including John Lee Hooker, Taj Mahal, Trout, Corey Stevens, Roy Rogers, Mandel, Larry Taylor and Vestine. Eric Clapton and Dr. John made guest appearances on the Christmas Anthology (2007). In July 2007, a documentary, Boogie with Canned Estrus: The Canned Heat Story, was released, as was a biography of Wilson, Blind Owl Blues, by writer Rebecca Davis Winters.

By 2000, Robert Lucas had departed and the line-up was completed past Dallas Hodge (vocals, guitar),[44] John Paulus (guitar) and Stanley "Baron" Behrens (harmonica, saxophone, flute). Lucas returned to Canned Heat in late 2005 only left once again in the fall of 2008. He died, historic period 46, on November 23, 2008, at a friend's domicile in Long Embankment, California; the cause was an credible drug overdose.[45] [46] Other more contempo deaths of band members included Bob Hite'south blood brother, bassist Richard Hite, who died at age 50 on September 22, 2001, due to complications from cancer. Also, former bassist Antonio de la Barreda died of a middle assault on Feb 17, 2009.

From tardily 2008 to the Spring of 2010 the lineup included Dale Spalding (guitar, harmonica and vocals), Barry Levenson (pb guitar), Greg Kage (bass), and classic lineup concord-over and ring leader de la Parra on drums. Mandel and Larry Taylor toured with Canned Heat during the summer of 2009 on the Heroes of Woodstock Tour to celebrate the 40th anniversary of Woodstock.

In 2010, Taylor and Mandel officially replaced Kage and Levenson, and as of 2012, this lineup (de la Parra, Taylor, Mandel, and Spalding) continued to tour regularly.

In October 2012, during a festival tour in Spain, French republic and Switzerland, Randy Resnick was called to supersede Harvey Mandel who had to quit the tour due to wellness problems. Resnick played two dates, October 4 and 5, only had to return home for prior commitments. Adolfo de la Parra was able to get John Paulus to wing in from Portland to finish the bout.

On September vii, 2013 John Paulus once again substituted for Harvey Mandel at The Southern Maryland Dejection Festival. In 2014 he officially replaced Mandel.

On August 19, 2019 longtime bass guitarist Larry Taylor died later a twelve-twelvemonth battle with cancer.[47] Drummer Frank Cook died on July nine, 2021, anile 79.[48]

The electric current line-upward of Canned Heat features none of the original or classic-era members of the band other than Adolfo "Fito" de la Parra on drums.

Collaborations [edit]

Canned Heat have collaborated with many blues artists, recording and helping them to regain some notoriety. Notable names include:

  • John Lee Hooker — In May 1970, Canned Heat backed John Lee Hooker on the album Hooker 'n Heat released in early 1971. In 1978 a joint performance was recorded live and released as Hooker 'n Heat, live at the Fox Venice Theatre (1981). In 1989 Canned Oestrus (and many others) guested on John Lee Hooker's album The Healer.
  • Sunnyland Slim — In the jump of 1968, Wilson, Bob Hite, and de la Parra took a cab whose driver turned out to be Sunnyland Slim. Wilson and Hite convinced him to go in the studio again and cut an album for a sublabel of Liberty Records. The album, Slim'south Got His Thing Goin' On featured tracks with Slim fronting Canned Rut and Hite acted as co-producer. Slim thanked them past playing the piano on "Turpentine Moan" for the album Boogie with Canned Heat.
  • Memphis Slim — In Paris, on September 18, 1970, Canned Heat went into the studio at the request of French music producer Phillipe Rault to tape with Memphis Slim. 3 years after and later an overdubbing session with the Memphis Horns of Stax Records fame, Memphis Oestrus was finally released on the French characterization, Barclay (and was re-released in 2006 on Sunnyside Recordings).
  • Clarence "Gatemouth" Dark-brown — In 1973, Canned Rut went again to France to record for Rault, this time with Clarence "Gatemouth" Brown. The sessions did not work out as planned, only the album was released equally Gate's on the Heat and another track appeared in 1975 on his anthology Down S in the Bayou Country. Later they joined him for a set at the Montreux Jazz Festival. A DVD of the performance was released.
  • Javier Batiz — During the summer of 1969, de La Parra arranged in Los Angeles a recording session for Mexican R&B star Javier Batiz, with whom he had played before moving north and joining Canned Estrus. His bandmate Larry Taylor took part in the project and also three musicians who in later years would perform with the band, 2 every bit members — Tony de la Barreda (bass), Ernest Lane (piano) and Clifford Solomon (saxophone). The recording was released some 30 years subsequently as The USA Sessions.
  • Albert Collins — In early 1969, Canned Heat met Collins afterward a gig and advised him to move to Los Angeles in club to boost his career; at that place they plant him an agent and introduced him to executives for United Artists (UA). In appreciation, Collins' first record title for UA became Love Can Be Plant Anywhere, taken from the lyrics of "Fried Hockey Boogie".
  • Henry Vestine — A recording project from 1981 has been released more than 20 years later under Vestine'south name every bit I Used To Be Mad (but Now I am Half Crazy). The musicians on the album are the Canned Heat members at that time: Vestine (guitar), Mike Halby (vocals, guitar), Ernie Rodrigues (vocals, bass), Ricky Kellogg (vocals, harmonica) and de La Parra (drums).
  • De la Parra and Walter de Paduwa, a.k.a. Dr. Boogie, have compiled an anthology of blues selected from Bob Hite'due south drove Rarities from the Bob Hite Vault, Sub Rosa SRV 271. Included are tracks by a dozen artists such every bit Pete Johnson, Johnny Otis, Clarence Brown, Otis Rush, Etta James and Elmore James.[49]
  • Naftalina — In 1983, Adolfo de la Parra, forth with some old friends and fellow Mexican stone groups he played with in the 1960s, such every bit Los Sparks, Los Hooligans and Los Sinners, played the kickoff album of Naftalina, covers of rock due north roll 1950s — 1960s, with versions full of black humor and sarcasm involved: Tony de la Barreda (bass and product), Federico Arana (guitar and lyrics), Eduardo Toral (piano), Baltasar Mena (vocals), Renato López (vocals), Affections Miranda (drums), Freddy Armstrong (guitar), Guillermo Briseno (pianoforte) and Adolfo de la Parra (drums).

Personnel [edit]

Current members [edit]

  • Adolfo de la Parra — drums, vocals (1967–present) [50] [51]
  • John Paulus — guitar (2000–2006, 2013, 2014–present)
  • Dale Wesley Spalding — guitar, harmonica, bass, vocals (2008–nowadays)
  • Rick Reed — bass (2019–present)

Discography [edit]

Come across likewise [edit]

  • Listing of bands from Los Angeles

References [edit]

  1. ^ [1] [ expressionless link ]
  2. ^ "Canned Rut Bassist Larry Taylor Dies at 77". Billboard . Retrieved 2019-08-21 .
  3. ^ Fito De La Parra, Living the Blues.(2000).
  4. ^ Fito De La Parra, Living the Dejection. Canned Heat's Story of Music, Drugs, Death, Sexual practice and Survival, 2000, p. 66. ISBN 0-9676449-0-9.
  5. ^ Fito De La Parra, Living the Dejection. Canned Heat's Story of Music, Drugs, Death, Sex activity and Survival, 2000, p. 112. ISBN 0-9676449-0-9.
  6. ^ "Billboard". Books.google.co.great britain. 1967-07-08. p. 12. Retrieved 2016-05-24 .
  7. ^ Downwards Beat, August 10th, 1967.
  8. ^ Fito De La Parra, Living the Blues. Canned Heat's Story of Music, Drugs, Death, Sex and Survival, 2000, pp. 68-71. ISBN 0-9676449-0-9.
  9. ^ Fito De La Parra, Living the Blues. Canned Oestrus'due south Story of Music, Drugs, Death, Sex and Survival, 2000, p. 76. ISBN 0-9676449-0-9.
  10. ^ Fito De La Parra, Living the Blues. Canned Heat's Story of Music, Drugs, Decease, Sexual activity and Survival, 2000, p. ninety. ISBN 0-9676449-0-9.
  11. ^ Fito De La Parra, Living the Blues. Canned Heat's Story of Music, Drugs, Expiry, Sexual practice and Survival, 2000, p. 93. ISBN 0-9676449-0-9.
  12. ^ "Canned Heat — On the Road Once more". YouTube. Archived from the original on 2010-02-15. Retrieved May 5, 2012.
  13. ^ Fito De La Parra, Living the Dejection. Canned Heat's Story of Music, Drugs, Death, Sex activity and Survival, 2000, p. 354. ISBN 0-9676449-0-9.
  14. ^ Fito De La Parra, Living the Blues. Canned Oestrus'southward Story of Music, Drugs, Death, Sex and Survival, 2000, pp. 96-98. ISBN 0-9676449-0-9.
  15. ^ Fito De La Parra, Living the Blues. Canned Heat'due south Story of Music, Drugs, Death, Sexual practice and Survival, 2000, pp. vi-seven. ISBN 0-9676449-0-nine.
  16. ^ Canned Heat would go along to play (come across below) at the tenth Anniversary Concert for Woodstock and their performance has been issued on disc nether different titles; i of them being Woodstock Festival 10th Anniversary Concert 1979 (see discography, 1995).
  17. ^ Fito De La Parra, Living the Blues. Canned Heat's Story of Music, Drugs, Death, Sex and Survival, 2000, p. 128. ISBN 0-9676449-0-9.
  18. ^ Fito De La Parra, Living the Blues. Canned Rut's Story of Music, Drugs, Decease, Sex and Survival, 2000, pp. 156-157. ISBN 0-9676449-0-9.
  19. ^ Fito De La Parra, Living the Blues. Canned Heat's Story of Music, Drugs, Decease, Sex and Survival, 2000, p. 173. ISBN 0-9676449-0-9.
  20. ^ Fito De La Parra, Living the Blues. Canned Heat's Story of Music, Drugs, Decease, Sex and Survival, 2000, pp. 140-163. ISBN 0-9676449-0-9.
  21. ^ Fito De La Parra, Living the Dejection. Canned Heat's Story of Music, Drugs, Death, Sex and Survival, 2000, pp. 166-168. ISBN 0-9676449-0-9.
  22. ^ Fito De La Parra, Living the Blues. Canned Heat's Story of Music, Drugs, Death, Sex and Survival, 2000, pp. 207-208. ISBN 0-9676449-0-9.
  23. ^ Fito De La Parra, Living the Blues. Canned Estrus'due south Story of Music, Drugs, Death, Sex and Survival, 2000, pp. 355-356. ISBN 0-9676449-0-9.
  24. ^ Fito De La Parra, Living the Blues. Canned Heat's Story of Music, Drugs, Death, Sex and Survival, 2000, p. 214. ISBN 0-9676449-0-nine.
  25. ^ Fito De La Parra, Living the Blues. Canned Heat's Story of Music, Drugs, Death, Sex and Survival, 2000, p. 229. ISBN 0-9676449-0-ix.
  26. ^ Fito De La Parra, Living the Dejection. Canned Heat's Story of Music, Drugs, Death, Sex and Survival, 2000, pp. 236-237. ISBN 0-9676449-0-9.
  27. ^ a b Fito De La Parra, Living the Blues. Canned Heat'southward Story of Music, Drugs, Death, Sex and Survival, 2000, p. 356. ISBN 0-9676449-0-9.
  28. ^ "RTBF Auvio : toute fifty'offre audio, vidéo et straight de la RTBF". Rtbf.exist. Archived from the original on 2016-03-05. Retrieved 2016-05-24 .
  29. ^ Fito De La Parra, Living the Dejection. Canned Heat's Story of Music, Drugs, Death, Sex activity and Survival, 2000, p. 240. ISBN 0-9676449-0-ix.
  30. ^ Fito De La Parra, Living the Blues. Canned Heat's Story of Music, Drugs, Expiry, Sex and Survival, 2000, p. 247. ISBN 0-9676449-0-9.
  31. ^ Fito De La Parra, Living the Blues. Canned Heat'southward Story of Music, Drugs, Decease, Sex and Survival, 2000, pp. 248-250. ISBN 0-9676449-0-9.
  32. ^ Fito De La Parra, Living the Blues. Canned Heat's Story of Music, Drugs, Death, Sex activity and Survival, 2000, p. 357. ISBN 0-9676449-0-9.
  33. ^ Fito De La Parra, Living the Blues. Canned Rut's Story of Music, Drugs, Death, Sex and Survival, 2000, pp. 252-258. ISBN 0-9676449-0-nine.
  34. ^ Fito De La Parra, Living The Blues. Canned Estrus'due south Story of Music, Drugs, Expiry, Sex and Survival, 2000, pp. 260-268. ISBN 0-9676449-0-9.
  35. ^ Fito De La Parra, Living the Blues. Canned Heat's Story of Music, Drugs, Death, Sex and Survival, 2000, pp. 278-279. ISBN 0-9676449-0-ix.
  36. ^ Fito De La Parra, Living the Blues. Canned Heat'southward Story of Music, Drugs, Death, Sex and Survival, 2000, p. 282. ISBN 0-9676449-0-nine.
  37. ^ Fito De La Parra, Living the Blues. Canned Rut's Story of Music, Drugs, Death, Sexual activity and Survival, 2000, p. 291. ISBN 0-9676449-0-9.
  38. ^ Fito De La Parra, Living the Blues. Canned Heat'south Story of Music, Drugs, Death, Sexual practice and Survival, 2000, pp. 316-320. ISBN 0-9676449-0-ix.
  39. ^ Fito De La Parra, Living the Blues. Canned Estrus'southward Story of Music, Drugs, Death, Sex and Survival, 2000, pp. 325-327. ISBN 0-9676449-0-9.
  40. ^ "Marking "Pocket" Goldberg". Mark "Pocket" Goldberg. Archived from the original on 2015-05-09. Retrieved 2012-09-16 .
  41. ^ Fito De La Parra, Living the Dejection. Canned Heat'southward Story of Music, Drugs, Death, Sexual activity and Survival, 2000, pp. 329-342. ISBN 0-9676449-0-9.
  42. ^ "Archived copy". Archived from the original on Feb 10, 2012. Retrieved Feb seven, 2016. {{cite web}}: CS1 maint: archived copy as championship (link)
  43. ^ "RTBF — Classic 21, écoutez l'original". Classic21.be . Retrieved 2016-05-24 .
  44. ^ Dallas Hodge. "Bio". Dallashodge.com. Archived from the original on 2010-07-fourteen. Retrieved 2012-09-16 .
  45. ^ [2] [ dead link ]
  46. ^ Mack, Shane (Nov 25, 2008). "RIP: Robert Lucas, Quondam Frontman of Canned Oestrus". Tiny Mix Tapes . Retrieved Apr 12, 2011.
  47. ^ "Canned Rut Bassist Larry Taylor Dies at 77". Billboard.
  48. ^ Obituary, Dr. Frank Lenord Clayman-Cook, Los Angeles Times, September 9, 2021. Retrieved October 26, 2021
  49. ^ "Orkhestra, recherche: "SRV271"". Orkhestra.fr . Retrieved 2016-05-24 .
  50. ^ "Canned Rut on Stage". Times Herald-Record. fifteen Baronial 2009. Retrieved one December 2010.
  51. ^ Eder, Bruce. "Canned Oestrus – Biography". AllMusic. Archived from the original on 12 November 2010. Retrieved 10 December 2010.

Further reading [edit]

  • Charles Shaar Murray, Dejection on CD: The Essential Guide (1993) ISBN ane-85626-084-4
  • Fito De La Parra, Living the Blues. Canned Estrus's Story of Music, Drugs, Death, Sexual practice and Survival (2000) ISBN 0-9676449-0-9
  • Boogie with Canned Oestrus: The Canned Heat Story, a documentary (on DVD, Eagle Ent., 2007)

External links [edit]

  • Canned Rut — Official Website
  • Canned Heat — YouTube Channel
  • Studio and Concert History at Chrome Oxide
  • James Thornbury Interview
  • Alan "Blind Owl" Wilson — Authorized Site
  • The Old Greyness Whistle Test, BBC, transmitted February 26, 1974
  • Canned Heat discography at Discogs
  • Canned Heat at IMDb

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Source: https://en.wikipedia.org/wiki/Canned_Heat

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